on assisting

Yesterday I was on my way to a meeting with a client when I passed the photography studio I worked at when I was 18 years old (and by “working at”, I mean I shadowed this wonderful, warm and helpful portrait photographer a few times). I carried around his gear (that weighed more than I did) and tagged along with him to some of his photo shoots. I remember going home after the first day, my shoes filled with dirt, my hands blistered, and my feet pointing in a new and exciting direction. That first day, I learned that this whole “photography thing” was something that I might actually want to do. I learned that I had a lot to learn about the technical and professional aspects of photography, but I knew I loved the raw experience, that I loved working with people, and that I had enough ambition to make a career out of it. 

Fast-forward two years.

I applied and got accepted into Hallmark Institute of Photography. There I learned more than I could ever say, but one of the most important things I took away was that continuing my education after school is crucial.

So I did just that. 

I spent the following summer photographing a ton and trying to assist as much as possible, because as invaluable as my experience at Hallmark was, there are just some things a school can’t teach you. As an assistant, I was able to learn from people whom I admire and respect more about the truths and myths of the photography industry:

 

-that there is plenty of work out there for everyone (so no need to be cut-throat) 

-that luck comes to those who are prepared, who are willing to work hard, and who strive to be exceptional 

-that the harder you work, the more gratifying it becomes 

-that if you fail to plan, you plan to fail 

-that it’s 20% photography and 80% business 

-that your portfolio will shape your future clientele 

-that capitalizing on what makes you unique will take you far

-that it’s not always about the final product, but how you make the client feel-that -that it is in fact possible to be an involved parent AND a crazy busy photographer (yes, I worry about that stuff even though I’m only 22)


I don’t think everyone has the personality to be an assistant or second shooter..and that’s OK! I actually I think I am one of those people who is more naturally a lead shooter, but I try my best to play that role because being a student is important, and I have to learn to walk before I can try to fly.

I’ve been getting some emails from people I went to photo school with lately. They can’t figure out why they’re not getting any work. Ultimately, there are no quick answers, but I think it’s a combination of location, timing, being hard working, advertising, and good referrals. I tell them to get a mentor- to find a seasoned pro who is honest and wants to take you under their wing. Honestly, working for Joel Flory has taught me more than I will ever know. And every time I assist someone I take down tons of mental notes because I think it will help us newbies grow and blossom confidently.

The Lyons

The Florys